| Serapis is a classic American band
in every sense of the word.
Originating in garages of a
Midwestern town, and with millions of hours logged in smoke filled bars
since 1982 these guys have really learned how to play.
Since the beginning their choice has always been to play "something
different", to champion the unsung heroes, not to simply recite the
mega hits of the day. This is a risky policy for an ordinary "bar
band". The only way they have been able to pull off this stunt for
so many years is to simply be really good musicians and entertainers.
And the fundamental reason they keep getting better is that they honest
to God love playing music.
At one time or another the Serapis catalog has included songs by Frank
Zappa, John Hiatt, Graham Parker, Sonia Dada, Delbert McClinton, Taj Mahal,
Paul Simon, Hank Williams, Third World, and Todd Snyder, just to name
a few. By drawing on such a wide spectrum of sound, they find it easier
to "sneak in" their original compositions which in fact are
every bit as good as the covers in the rest of the set.
In 1982 Tony Chambers, Gene Carroll, and Steve Snyder were playing a gig
as a 3-piece band in Washington Missouri when a sax player named Rick
Clifford came up and asked to sit in with the band. Rick was working at
a summer camp for kids and had just one night off for the week. He brought
his sax just in case. Hmmm, a three-piece power trio with a sax, sounds
weird, but they made it work. It worked so well that they called Rick
the next day to find out what he was doing after the summer camp was over.
Meanwhile, the boys had bumped into Brian Casserly at a club on the riverfront
in St. Louis where they had come to see a favorite St. Louis band Street
Corner Symphony. Brian was working as a baker at a popular restaurant
in St. Charles. He was an old buddy that had played trumpet with them
before in a show group and was immediately convinced to join the band.
The first thing to do was to come up with a name, and to differentiate
themselves from The Stone Mountain Band which was the name they had in
high school and college years when they were primarily a southern rock
band, performing largely in St. Louis and Columbia Missouri. Several names
were floated without any really catching fire but at the time the boys
were more interested in getting busy rehearsing than debating names, so
they gave themselves a deadline. Rick came up with the name Serapis from
a book he was reading on mystical religious figures. Serapis was a combination
of a Greek and Egyptian deity that was supposed to inspire artists and
musicians (at least that's what Rick said). It took a little getting used
to, often patrons at the end of the night couldn't even pronounce Serapis,
but the name stuck and the band began to pick up some exciting gigs and
really began to gel.
For the next four years this original lineup became a fixture as a house
band on the riverfront in St. Louis and playing throughout the Midwest
in Kansas City, Chicago and Memphis. In 1986 they recorded a live album
at Uncle Sam's, which was the club where they built a loyal following
and had some legendary performances and many memorable evenings.
Later that year, Brian had an opportunity to become the front man of a
band being formed by a subsidiary of Six Flags. He would be featured on
a new riverboat entertainment venue, which was exactly what Brian should
have done at the time. It was tough to lose such a talented and charismatic
entertainer, but the guys were able to pick up one of the best solo performers
in St. Louis to play acoustic guitar and keyboards with them. The addition
of Mark Moebeck provided an opportunity to change course and expand the
repertoire of songs once again and to feature the vocals of Tony and Mark
as one of the premiere duet combinations you will ever hear.
Not long after Mark joined the band, Serapis was in search of a drummer.
Bob Gleason who was running sound for the band one night piped up and
said, "Hey, I play drums". This was an understatement. Gene
had met Bob at his studio called Imagitrax. Bob had for years been a solo
performer where he played guitar, sax, flute, clarinet, harmonica and
anything else that made music all along with backing tracks of himself
playing drums, bass, keys and all of the other stuff he couldn't carry
to the gigs. So Bob sat in and just like Lou Gehrig, has never left.
After several years Mark decided he needed to get back to performing on
his own as he really is a solo performer and gifted songwriter, although
he often pops in and sings a few songs with the band from time to time.
Eventually Rick moved to California and after playing as a three piece
and then off and on with Gordon Bland on keyboards and guitar, Serapis
was able to get an old friend and gifted singer and multi instrumentalist
Todd Luerding to take over full time on keyboards and also play drums,
vibes, and accordion. The addition was easy, as Todd had for many years
played drums and keys back in the "southern rock" days of The
Stone Mountain Band.
This is the current lineup of the band Serapis. Tony Chambers on guitar
and vocals, Gene Carroll on bass and vocals, Bob Gleason on drums and
vocals, and Todd Luerding on keyboard and vocals. Sounds simple, but don't
let that fool you, they switch around a lot.

With
Rick Clifford (sax) and Geoff Seitz (fiddle) |
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About
"myth" |
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The title
Once again the
band struggled with "writers block" when it came to a name.
Tony took a sample of the disc with him to work where a fellow editor
looked up "serapis" in a dictionary, and the entry read:
"Serapis....myth" as he looked at the artwork. It stuck.
The cover was created by Kathleen Parvis and based on a photo that
was actually an experiment gone wrong when Tony's son Ben made a box
camera for science class at school. The desert "landscape"
is actually supposed to be a picture of a car... but it works!
The songs
All of the songs on the disc were written by Tony Chambers and
Todd Luerding except for "On the Greener Side"
which is a Michelle Shocked song and "Mr. CIA"
which was written by a good friend of the band Jim Findlay.
Starting off with the
heavily reggae influenced "Who Do You Think You Are?"
and then switching right to "Make My Day"
which brings to mind the sound of Marshall Tucker, is a typical
mix of sounds for this band. Don't try to categorize their music
under some "type". Just listen to it.
"I'm Only Human" is the ballad on this
disc. Reminiscent of Burton Cummings with a bit of "The
Cars" thrown in, Todd has a nice song here. It turned
out pretty good.
Get On Out brings a bit of funk to the disc and
really features Tony on guitar and Todd on the vibes.
Avalanche, another song by Todd, brings together
the influences of Little Feat, Les Dudek, and today's R&B.
Once in a while Serapis backs up Jim Findlay, a songwriter with
a huge catalog of unique songs that Gene appreciates to no end.
Mr. CIA happened to be a current topic when the
CD was being recorded even though it was written a long time ago.
Gene does his best to produce the vocal with a nod to Frank Zappa.
Don't Point Your Gun at Me is one of the cool "surprises"
of the disc as it didn't start off being such a dixieland or "honkey
tonk" sound, it just kind of "went there." In the
genre of "Rocky Raccoon", it is a good simulation
of dixieland and features Tony on banjo, Todd on piano, and Bob
on the clarinet.
John Higgins plays the steel guitar on the cut On the Greener
Side. Originally it was to be as part of an ensemble, but
while Bob was mixing, he had the vocals and the drums soloed and
he noticed it sounds pretty good that way, so he left it. The first
thing you hear from the ensemble is the steel coming in with everybody
else and it really swings, both Texas and Hawaiian swing. It's cool.
Roll On features the original horn section of the
band Serapis. Brian Casserly played in the studio to a track that
Rick Clifford sent back from San Francisco. It was like they had
never stopped playing together. What a treat.
Little was it known that by the end of the year Tony's "baseball
song" Heart of the Order would be so apropos.
With the Cardinals going to the World Series this song was picked
up by KSDK the NBC affiliate in St. Louis as a music bed for one
of their year in review features on the Cardinals.
Finally there is Lightnin' Lil, a song about a
horse, but really about Tony's sister Maria who died suddenly at
the age of 44. We miss her dearly.
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